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Webb’s new translation is the first English rendition of Autumntide that comes equipped with a scholarly apparatus, as well as a plethora of high-quality image reproductions of the various artworks, sites, and objects relevant to Huizinga’s text. . . . these images alone make this latest translation of Huizinga’s masterpiece a must-have. Indeed, one might be tempted to call it a coffee-table book were it not for the sparkling prose of its author (and translator), which vies with the gorgeous images adorning its every page.
— The Los Angeles Review of Books
"Johan Huizinga’s The Waning of the Middle Ages, as it was once known, is a hundred years old and has just been awarded the accolade of a magnificent centenary edition in a superb, fresh English translation. This lavishly illustrated volume marvelously enhances the reader’s encounter with a historical classic by presenting alongside the text a mass of the ¬visual evidence the author discusses. Not many history books of the modern era have seen so many editions in so many different languages, and fewer still have enjoyed so long a run. How often, after all, does a book by a professional historian get a centenary edition, let alone such a luxurious one? The appearance of this latest version is a justly deserved tribute to a great work of history that is also a great work of literature."
— First Things
"Highly recommended. All levels."
“I must say, if the [illustrations] are included in such a way, in high resolution, then it almost really comes back to life. And I believe it also provides to us as contemporary readers, even if you are not a historian, the opportunity to better understand the context.”
— Mark Rutte, Prime Minister of the Netherlands
“The translator has captured the poetic qualities of Huizinga’s authorial voice without sacrificing the readability of the text...The result is a version of the text that captures Huizinga’s original voice better than either of the two previous English editions.”
“The edition is gorgeous – solidly bound with thick paper, and with high-quality illustrations of most, if not all, the works of art Huizinga mentions in his text, plus others. At the same time, the edition has been produced to a high scholarly standard. It includes all of Huizinga’s original prefaces, notes, timeline, and a reconstructed bibliography of works cited by the author.”
— Benjamin Kaplan