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1) It contributes research on individual early modern Netherlandish women artists and patrons and names women artists, patrons, and those who-including themselves-promoted and praised their work in their own time. It thereby provides a foundation for future art historians and scholars. 2) It features emerging scholars' research and provides a historiographical corrective with a contemporary perspective on the state of a feminist Netherlandish art history. 3) The topic is timely-feminist issues are experiencing a resurgence of interest in the academy and among a more general readership because of #metoo and the political realities of the US and Europe.
About the Author
Elizabeth Sutton is Associate Professor of Art History at the University of Northern Iowa. She has published Art, Animals, and Experience: Relationships to Canines and the Natural World (Routledge, 2017), Capitalism and Cartography in the Dutch Golden Age (University of Chicago Press, 2015) and Early Modern Dutch Prints of Africa (Ashgate, 2012). Her current research interests include feminist historiography and mapping place and migration with art history.